Just as spring was getting into gear across the country, Viaje announced that it would soon be shipping its newest release to retailers, a maduro version of its Honey & Hand Grenades line.

To create the line, the company swapped out the Nicaraguan criollo wrapper of the original version for a Mexican San Andrés maduro wrapper. Specifics about the rest of the blend have not been disclosed, and a representative from the company declined to comment on the release when halfwheel inquired about them.

Going by retailers’ listings, the maduro version returned in the three sizes that have been used in the original blend, each of which is name for a type of blade-style weapon, one of which is named for a centuries-old slender sword, while the other two are more associated with improvised prison weapons:

  • Viaje Honey & Hand Grenades Maduro The Shank (5 1/4 x 52)
  • Viaje Honey & Hand Grenades Maduro The Shiv (6 1/4 x 50)
  • Viaje Honey & Hand Grenades Maduro The Rapier (6 1/2 x 44)

Each also retains the signature red foil paper wrapping, which according to brand owner Andre Farkas is added to evoke the idea of blood on one of the above weapons after it has been used. The cigars are packaged in the same 25-count wooden boxes as the original Honey & Hand Grenades, though with a sticker on the lower right corner of the front panel indicating that these are the maduro version.

  • Cigar Reviewed: Viaje Honey & Hand Grenades Maduro The Shiv
  • Country of Origin: Undisclosed
  • Factory: Undisclosed
  • Wrapper: Mexico (San Andrés Maduro)
  • Binder: Undisclosed
  • Filler: Undisclosed
  • Length: 6 1/4 Inches
  • Ring Gauge: 50
  • Vitola: Figurado
  • MSRP: $10.56 (Box of 25, $246)
  • Release Date: May 2021
  • Number of Cigars Released: Undisclosed
  • Number of Cigars Smoked For Review: 3

If you didn’t know the meaning of the vitola name, you might just think this is a fancy cigar wrapped in a bright, shiny piece of red wrapping paper. Of course, knowing what a shiv is—a homemade or improvised knife or razor used as a weapon—and how it’s used, the appearance takes on a more vivid impression, and one that I will say is pretty well done. That paper is applied pretty tightly, but there’s enough of a gap to slide the paper off, and with it not attached to the band, that helps the cause. Alternatively, you could use a blade to cut the tape that holds the paper in place, a more direct method.  Once undressed, the cigar shows its inverted belicoso shape, a fairly normal-looking cigar that comes to a quick, covered point that can also be fairly sharp depending on the sample. That point can also be a couple of shades lighter than the rest of the cigar, which is a very dark and rich shade of brown. It’s a dry wrapper leaf with a bit of texture for the fingers, while the cigar itself is generally quite firm, the first sample almost hard, but my fingers do stumble upon a few softer spots. The covered foot doesn’t reveal the full aroma of the cigar, but instead a fairly singular dry earthiness, almost the smell of a resting field of dry soil. The cold draw is an exercise in futility, as it appears the covered foot is completely obstructing airflow. That doesn’t leave me much to explore or write about, other than a bit of tingle that the tobacco imparts on my lips.

I was correct about the covered foot impeding the airflow; almost as soon as I light the cigar I’m able to get a good draw from the cigar. As the tapered foot begins to burn and more tobacco combusts, smoke production increases, to the point where I’m a bit surprise just how much smoke the cigar is offering. Much like the combustion, it takes a few puffs for the flavor to get going, and when it does there’s a tastebud-tingling black pepper and some dry earthiness, a simple but engaging profile out of the chute that can get sharp on the throat but is generally enjoyable. There’s the addition of just a bit of creaminess in the first inch that softens the profile a bit, filling it in around the edges and giving it a bit more complexity. After knocking off the first clump of ash, I retrohale the smoke and get what I would consider to be a signature of many Viaje blends, a bright, black pepper-forward tingling of my nostrils. The flavor picks up more of the creaminess as the first third continues, and there are a few puffs where I get something between orange and peach, almost reminding me of a Creamsicle or one those plastic cups of ice cream with the removable wax paper lid. The technical performance has been very good thus far, with a good draw, even burn line and plenty of smoke. Flavor is medium-plus, body is medium, and strength is a surprising medium in the early goings.

The second third keeps the profile on the dry side but adds some tree bark to the mix, while black pepper increases its presence, particularly through the nose on retrohales. The cigar is at its best when there is some creaminess to the profile, as it helps both the flavor and the mouthfeel of the smoke, even though it doesn’t do much for the complexity of the profile. As the burn line moves through the second third, it seems that the flavor is content staying where it is, which is an enjoyable spot if not very complex or abundant with flavors. The one thing that happens with consistency is the emergence of some sharpness and harshness, more the former resulting in the latter. I can’t tell if it’s the progression of the blend or a bit slower smoking rate that helps the issue, but regardless it helps calm things a bit at first puff. Yet as soon as that thought gets jotted down, there’s some harshness on the finish that I can’t seem to shake, a building bit of irritation right at the top of my throat. It’s almost as if the pepper that had been sitting well on the tongue goes rogue and decides to target the back of my throat, which comes with what should be easy-to-imagine effects. One cigar doubles down on that and becomes an irritant to my eyes as well. Other than some occasional combustion issues, the cigar performs well, with good smoke production, a well-calibrated draw and a generally even burn line. Flavor is now medium-full to almost full while body is medium-plus. Strength is a bit harder to pin down, as there is enough irritation to make me think it’s a stronger cigar than it is. Still, there is a bit of nicotine being felt in my system.

The final third starts when a bit of robustness joins the profile; it’s hard to pin down a specific flavor change, but the physical sensation is a bit more grating on the taste buds and the back of the throat. It’s largely a continuation of the changes from the second third and a buildup of what was detected in the first third. The profile is still quite dry with an incredibly long finish on the tongue, a sensation that has taken on one similar to that imparted by red chili peppers, even though the flavor isn’t present in the profile. I could make the case for dry woods and dry earth in the profile, though neither feels quite right or what I generally associate with those terms. That leaves me to deal with the physical sensation primarily, which becomes less enjoyable as the cigar approaches the finish line Flavor finishes medium-full with one of the most lingering finishes I can recall, the body is medium-plus and fairly robust, while strength is medium-plus to medium-full, enough to be felt but not enough to be too much for my system. Outside of the occasional touch-up, combustion has been very good, while the burn line stays even and smoke production remains very good.

Final Notes

  • Two of the three samples I smoked used a notably lighter shade of tobacco to wrap and cover the foot than what was used for the wrapper, I’m sort of mixed on my feeling about it; on one hand, I like the idea of a consistent color from head to foot, but given that this cigar also has an interesting vitola name, making the tip look a bit different has its own appeal.
  • There is a great moment in each cigar where the draw opens up after burning through the covered foot, as the cigar finally feels like it is ready to go and show off what it has to offer.
  • This cigar has quite a lingering finish, as I could feel it hanging around my palate a good while after finishing the first sample.
  • Along that note, while the word honey in the name might convey a sweetness in the profile, I found that only in sparing quantities across the three samples. The hand grenade part of the name is easily the more applicable in my experience.
  • Each of the three samples needed some sort of touch-up or relight in their second halves. It made me think that the capped foot might have hindered the excess moisture acquired during rolling from escaping the cigar, something that I recall as being a problem with the original Viaje Zombie that was released in 2011. That led to adding a pinhole at the foot of the cigar for the 2012 version.
  • I don’t remember the last Viaje Honey & Hand Grenades release that I smoked, but I didn’t remember the bands being as well done as these.
  • This is the first time the Honey & Hand Grenades line has been released since February 2019, a release that followed an absence from the market since 2016. Prior to that, they were released in 2013 after debuting in 2012.
  • Brooks Whittington reviewed the original Viaje Honey & Hand Grenades in The Rapier vitola back in September 2012.
  • That original version was made at Fábrica de Tabacos Raíces Cubanas S. de R.L. in Honduras. The factory making this version has not been disclosed.
  • Since Viaje declined to provide information about the cigar, including its pricing, the estimated price comes from retailers’ listings.
  • Only one of the three cigars hit me with enough nicotine strength to make note of, enough to have me feeling just a bit woozy.
  • The cigars for this review were purchased by halfwheel.
  • Final smoking time was two hours and 25 minutes on average.
  • Site sponsors Atlantic Cigar Co. and STOGIES World Class Cigars carry the Viaje Honey & Hand Grenades Maduro The Shiv, though both are out of stock at the time of publication.
85 Overall Score

The Viaje Honey & Hand Grenades Maduro The Shiv is a bit of a frustrating cigar, showing a decent if somewhat pedestrian first half that keeps it straightforward with black pepper, dry earth and woodiness, introduces some creaminess and the occasional accent of light fruit sweetness, which makes for a pretty enjoyable first half. But from there it's a fairly quick unraveling with the pepper leading the revolution against that first half and making the cigar harsh on the taste buds and the throat. It's almost commendable that that it doesn't go all the way over the line until well into the final third, which will aid the cigar's score more than if you had asked me what I thought of each sample right after smoking it. I'm concerned about the second half showing combustion issues, so if you do decide to smoke some of these, I'd highly suggest dry boxing them a bit, possibly even clipping the cap ahead of when you think you'll be smoking it just to help it out a bit. There's enough in this cigar to still have me intrigued, but also enough that has me feeling a bit let down by it, and ultimately won't have me rushing out to pick some up to put in the humidor to revisit down the road.

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Patrick Lagreid

I strive to capture the essence of a cigar and the people behind them in my work – every cigar you light up is the culmination of the work of countless people and often represents generations of struggle and stories. For me, it’s about so much more than the cigar – it’s about the story behind it, the experience of enjoying the work of artisans and the way that a good cigar can bring people together. In addition to my work with halfwheel, I’m the public address announcer for the Colorado Rockies and Arizona Diamondbacks during spring training, as well as for the Salt River Rafters of the Arizona Fall League, the WNBA's Phoenix Mercury and the Arizona Rattlers of the Indoor Football League. I also work in a number of roles for MLB.com, plus I'm a voice over artist. I previously covered the Phoenix and national cigar scene for Examiner.com, and was an editor for Cigar Snob magazine.