The Ramón Allones marca traces its history to between 1837 and 1845, though Wikipedia lists its beginning as 1845, at the hands of brothers Ramón and Antonio Allones. According to the site, it is said to be the first brand to use colorful lithographs as part of its box art, was the first brand to utilize bands on its cigars, and the first to package cigars in the ‘8–9–8’ style, though there are claims by other marcas as to all of those firsts.

Despite its longevity is classified as a Local brand with minor market share. Its regular production offerings are limited to just three vitolas:

  • Ramón Allones Small Club Coronas (4 3/10 x 42) – Petit Corona
  • Ramón Allones Gigantes (7 3/5 x 49) – Double Corona
  • Ramón Allones Specially Selected (4 9/10 x 50) – Robusto

It also shares a close connection with Habanos S.A.’s Edición Regional program, the story behind which has been covered on halfwheel several times, but as a refresher:

The Edición Regional program started in 2005 and utilizes the 17 local and multi-local brands for their releases exempting the ten worldwide premium global and niche brands. The cigars are limited production releases with a minimum run of 25,000 cigars and are made exclusively for a regional market, which can range from a specific country to a geographic region. The distributor for the market initiates the release and must also underwrite the costs of the release.

They are generally available for one to two years, after which time the cigar can be added to the line’s current production range. A distributor can also re-release an Edición Regional in a subsequent year, often with a note included in the box indicating that fact. The vitolas used for Edición Regional releases must be selected from current production vitolas, but ones that are not already used by that line. In addition, new vitolas from other premium brands are not eligible to be used as part of an Edición Regional release.

In addition, recent changes, as noted by Trevor Leask of, have included a lifespan of 12 months with release dates generally in August, September and October. In addition, while some regions have received multiple releases in a calendar year, in 2012 the Edición Regional program was changed to limit Edición Regional releases to one per distributor per year.

Finally, the cigars generally use the marca’s main band with a second red and silver band that indicates the region it was made for, in the format “Exclusivo ___” with the region’s name in Spanish.

Since the Edición Regional program launched in 2005, the Ramón Allones marca has been featured a total of 22 times, which is tied with Bólivar for the most times a single marca has been featured as an Edición Regional. Punch ranks third with 18 instances, while Por Larrañaga is fourth with 12 appearances and Juan Lopez rounds out the top five with 11 releases. No other marca has cracked the double digit mark yet.

Some consider the Ramón Allones Belicoso made in 2005 and released exclusively to the United Kingdom as the first Edición Regional, though it didn’t bear the secondary band that has become a regular fixture of cigars in the program. It’s not referred to as an Edición Regional, but as you’ll read in Brooks Whittington’s review, you can see how it laid the groundwork for the program. It was also featured in the program’s inaugural year, with Italy and Switzerland each receiving both a Ramón Allones and Punch Edición Regional.

Those 22 Ramón Allones regional editions mentioned above have been sent to almost every corner of the globe, with editions for Italy, Switzerland, France (2), BeNeLux (Belgium, Netherlands & Luxembourg), Lebanon (5), the Asian Pacific, the Andes (Bolivia, Peru and Ecaudor), Germany, Portugal, Greece & Cyprus, Israel, Great Britain, and of course, the three made for Canada.

For 2010, it was announced that Havana House, the Canadian distributor of Cuban cigars, would be getting a slightly longer Robusto in the  form of the Ramón Allones Gordito de Allones.

At the time of its release, the Ramón Allones Gordito de Allones was the second time the marca had been released as a regional in Canada, with another release in 2011 bringing the total to three appearances:

  • Ramón Allones Petit Unicos – 5 x 50 – 2009 – Petit Pyramid (1,200 Boxes of 25 cigars)
  • Ramón Allones Gordito de Allones –  5 3/5 x 50 – 2010 – Robusto Extra (2,500 Boxes of 10 cigars)
  • Ramón Allones Super Ramon – 7 1/10 x 54 – 2011 – Double Pyramid (1,000 Boxes of 25 cigars)

It was also the fifth regional release for Canada, a list that has since grown to eight:

  • Bolívar Simones – 2007
  • Ramón Allones Petit Unicos – 2009
  • Vegas Robaina Petit Robaina – 2009
  • Bolívar B-2 – 2010
  • Ramón Allones Gordito de Allones – 2010
  • Juan López Supreme – 2011
  • Ramón Allones Super Ramon – 2011
  • Vegas Robaina XV Aniversario – 2012

The boxes of the Ramón Allones Gordito de Allones look like this:

Ramón Allones Gordito de Allones Edición Regional Canadá 2010 Box 1 Ramón Allones Gordito de Allones Edición Regional Canadá 2010 Box 2 Ramón Allones Gordito de Allones Edición Regional Canadá 2010 Box 3

Ramón Allones Gordito de Allones Edición Regional Canadá 2010 Box 4

Ramón Allones Gordito de Allones Edición Regional Canadá 2010 1

  • Cigar Reviewed: Ramón Allones Gordito de Allones Edición Regional Canadá (2010)
  • Country of Origin: Cuba
  • Factory: Francisco Pérez German
  • Wrapper: Cuba
  • Binder: Cuba
  • Filler: Cuba
  • Size:  5 3/5 Inches
  • Ring Gauge: 50
  • Vitola: Robusto Extra
  • Est. Price: $20 (Boxes of 10, $200)
  • Date Released: 2010
  • Number of Cigars Released: 2,500 Boxes of 10 Cigars (25,000 Total Cigars)
  • Number of Cigars Smoked For Review: 2

The cigar itself is a veiny, medium dark brown and short of one spot on its backside is even in shade and texture. There is the faintest bit of sheen on the cigar, while the wrapper leaf has a very fine grit texture to it. It has a bit of give but feels well-filled and the cap seems exceptionally flat, albeit it at a bit of an angle. Putting my nose to the foot of the cigar immediately evokes that familiar Cuban smell of pungent barnyard, a touch of sweetness and some chocolate tucked in the background, while some dry wood is found in minimal amounts. The cold draw is firm with notes of hay, some barnyard and a touch of twang.

Right out of the gate, the taste buds are met with a twangy note while the nose gets a nice bit of pepper and aromatic spice. The first third of the Ramón Allones Gordito de Allones seems strangely blurred though, as if there are some very good notes in the mix but they aren’t able to stand out and instead all come out as a big, muddled stew. There’s no harshness and save for a note that reminds me a bit of cold chicken broth, nothing makes the cigar at all unenjoyable, just a bit frustrating. The ash is a dark gray and holds on well for an inch and a half, while the burn line is straight and the smoke production is solid.

Ramón Allones Gordito de Allones Edición Regional Canadá 2010 2

In the second third of the Ramón Allones Gordito de Allones, there is a bit of pepper at play, as well as a a bit of orange peel that makes for a flavor I can’t recall experiencing in some time. The draw has opened up a bit by the midway point and is no longer something that is an issue. Again, there is just something making the flavors appear out of focus. The slight wood note found on the cold draw seems to be stepping to the forefront, or at least is becoming the more dominant note in a flavor set that still seems to have a hard time sorting itself out. There are also some pleasant notes being picked up in the nose – candied ginger comes to mind, as it’s not a heavy spice and is something I can’t recall in many other cigars. Finally at the midpoint, the flavors start to give each other some space to shine and notes of leather and graham cracker emerge and push the pepper to the background.

Ramón Allones Gordito de Allones Edición Regional Canadá 2010 3

Some combustion issues slow the transition to the final third, but when the cigar gets touched up the smoke takes on a texture reminiscent of cotton balls – much lighter and fluffier in the mouth than it had been earlier. The flavors still seem muted and muddled, with a bit of pepper adding some zing, though it too doesn’t come across as clean and bright as it could. I will give the wood and graham cracker flavors a hat tip for trying to stand out, but at times they just can’t. The ginger note remains fairly present in this section, adding a very pleasing aromatic and uniqueness to the flavor. In the final inches, the twang and pepper finally start to rise above the commotion and deliver a more distinctive if not outstanding flavor to close out the Ramón Allones Gordito de Allones.

Ramón Allones Gordito de Allones Edición Regional Canadá 2010 4

Final Notes

  • The Ramón Allones brand was once owned by the Cifuentes family, most known for the Partagás brand, and whose name appears on the Dominican-made version of the same name, a brand owned by General Cigar Company.
  • All five of the Edición Regional releases for Lebanon have been from the Ramón Allones marca.
  • Maybe it’s just me, but I always feel like I should use a match instead of a torch when lighting a Cuban cigar. It feels like the leaf is simply no match for the intense flame and ends up getting scorched. On one cigar, I used a cedar spill from Cigar Reserve that I was given at IPCPR this year, and it seemed to work much better, though the foot of the cigar still had a fair amount of black spots from the flame.
  • In my circle of friends, few cigars are held as high in esteem as the Ramón Allones Specially Selected as a go-to cigar with consistently good flavors and at a reasonable price.
  • This may be a bit presumptuous, but when a marca has been used 22 times for the Edición Regional program, you have to think the blend is pretty darn good. The real question: is it good enough to gain wider distribution?
  • The Ramón Allones marca has also been featured as an Edición Limitada release in 2011; Charlie Minato reviewed it here.
  • If you really want to dive into the history of the brand, may I suggest its page on – a consistently fantastic resource.
  • In the Canadian province of Québec, there has been a call for plain packaging for cigars in recent months.
  • The naming of the cigar is somewhat odd, you definitely would have thought it would have bigger than a slightly long Robusto.
  • In my research to get an accurate price, I’ve seen these mentioned as having sold for $35 at La Casa del Habanos in Canada, with various reviews mentioning prices in between the $20–$35 range. This is due to each province having different tax structures.
  • As a comparison, at one merchant the slightly shorter Ramón Allones Specially Selected sells for $7 – $9 less than the Gordito de Allones. At another the difference was about $5.50.
  • If you’re considering a visit to Canada and want to visit a La Casa del Habano, the official LCDH website lists stores in Toronto, Montreal and Windsor, though an internet search indicates there is also one in Vancouver.
  • The other marcas classified as Local Brands with limited availability, which is what the Ramón Allones brand is classified as, are Diplomáticos, El Rey del Mundo, Juan López, La Flor de Cano, La Gloria Cubana, Por Larrañaga, Quai d’Orsay, Rafael González, Saint Luis Rey, Sancho Panza and Vegueros.
  • The cigars for this review were given to halfwheel by a reader.
  • Final smoking time is about one hour and 30 minutes.
85 Overall Score

The Edición Regional has gotten its fair share of criticism over the years, mainly for producing often sub-par, over-priced cigars that seem to prey on the misnomer that exclusivity automatically equals quality. In the case of the Ramón Allones Gordito de Allones Edición Regional Canadá, the cigar certainly isn't sub-par, though it does fall short of being a standout due to a flavor set that was too muddled to make for a memorable cigar. As for overpriced, well, yes – though blame for that lays as much at the feet of the Canadian government as it does at those of Habanos S.A. or Havana House. While this is a good cigar, it failed to produce any standout notes that left me singing its praises. At this point, it remains a bit of a novelty cigar – a perfectly enjoyable novelty, mind you – and one that I would likely pick up if I found myself in Canada, if for nothing less than, well, the novelty.

Patrick Lagreid

I strive to capture the essence of a cigar and the people behind them in my work – every cigar you light up is the culmination of the work of countless people and often represents generations of struggle and stories. For me, it’s about so much more than the cigar – it’s about the story behind it, the experience of enjoying the work of artisans and the way that a good cigar can bring people together. In addition to my work with halfwheel, I’m the public address announcer for the Colorado Rockies and Arizona Diamondbacks during spring training, as well as for the Salt River Rafters of the Arizona Fall League, the WNBA's Phoenix Mercury and the Arizona Rattlers of the Indoor Football League. I also work in a number of roles for, plus I'm a voice over artist. I previously covered the Phoenix and national cigar scene for, and was an editor for Cigar Snob magazine.