The new My Father Le Bijou 1922 100 Años Limited Edition has begun arriving in retail humidors.

The cigars honor what would be the 100th birthday of José Garcia Alayón, the father of José “Pepín” Garcia. The blend is a slightly modified version of the regular production My Father Le Bijou 1922, with all of the tobaccos coming from the García family’s San Rafael, Las Quebradas and San José farms. It is still a Nicaraguan puro that uses a habano wrapper leaf, in this case it is one that the company calls its Habano My Father or an “oscuro oscuro” leaf due to its dark color.

The tobaccos are put through a special fermentation process to release all of their aromas and flavors and create the profile that the company was looking for in this limited edition release.

It is available in two vitolas, a 5 1/2 x 48 Corona Extra that gets a soft box press, as well as a 6 1/2 x 44 Corona Especial that is round. Both sizes have small pigtail caps, are priced at $13 per cigar, and are limited to 1,922 boxes of 22 cigars. That last detail is a nod to the year 1922, which is when José Garcia Alayón was born. The cigars also get an orange foot ribbon that indicates they are part of the 100 Años release.

The cigars are produced at My Father’s factory in Estelí, Nicaragua.

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Patrick Lagreid

I strive to capture the essence of a cigar and the people behind them in my work – every cigar you light up is the culmination of the work of countless people and often represents generations of struggle and stories. For me, it’s about so much more than the cigar – it’s about the story behind it, the experience of enjoying the work of artisans and the way that a good cigar can bring people together. In addition to my work with halfwheel, I’m the public address announcer for the Colorado Rockies and Arizona Diamondbacks during spring training, as well as for the Salt River Rafters of the Arizona Fall League, the WNBA's Phoenix Mercury and the Arizona Rattlers of the Indoor Football League. I also work in a number of roles for, plus I'm a voice over artist. I previously covered the Phoenix and national cigar scene for, and was an editor for Cigar Snob magazine.