For its 2017 entry into the ever-growing list of exclusive cigars made for the Tobacconists’ Association of America, Rocky Patel Premium Cigars created a Honduran puro called Martinique.

However, the line has been known about—at least on paper—since July 2016, when it showed up on the company’s price list for the 2016 IPCPR Convention & Trade Show, though the cigar itself was not on display.

Also of note, the cigar comes with the designation of celebrating the TAA’s 50th anniversary, even though that won’t happen until 2018. However, given that the Martinique is an ongoing release, it should likely still be readily available when the proper time has come to celebrate the organization’s golden anniversary.

While this is the second time Rocky Patel has crafted a cigar for the group—the other being a  new vitola for its RP 15th Anniversary line, the 5 1/2 x 54 Robusto Grande—Patel was involved in a second release for the group, the La Palina Bronze Label TAA. It too was heavy in Honduran tobacco, though some Nicaraguan leaves were used in the filler. It too came in the ever-present toro size, sharing a 52 ring gauge though half-an-inch longer than the Martinique. Both cigars were produced at Plasencia’s El Paraiso factory in Danlí, Honduras, which is home to a number of Rocky Patel cigars.

  • Cigar Reviewed: Rocky Patel Martinique TAA 50th Anniversary
  • Country of Origin: Honduras
  • Factory: El Paraiso
  • Wrapper: Honduras
  • Binder: Honduras
  • Filler: Honduras
  • Length: 6 Inches
  • Ring Gauge: 52
  • Vitola: Toro
  • MSRP: $8 (Boxes of 10, $80)
  • Release Date: June 2017
  • Number of Cigars Released: Regular Production
  • Number of Cigars Smoked For Review: 3

The oiliness in the wrapper leaf is apparent as soon as I pull it out of its cellophane sleeve, though thankfully not gushing with so much that it appears to have been manipulated. There are a few veins on each wrapper leaf that stand out, though none are excessive or distracting. There’s also a fair amount of tooth on the wrapper, something that is worth inspecting in the right light. The wrapper has a clay-like reddish hue to its slightly darker-than-medium brown color, making it both familiar and appealing. The cigar is generally firm and rolled well, with the seams flat but visible mainly due to some subtle differences in color. From the foot I get a light aroma that is highlighted by cedar and dried salami meatiness, with touches of dried fruits and flowers adding some brightness. The cold draw is smooth as far as air flow and mild as far as flavors, muted by what comes across as either a bit of dampness or buttery oiliness. There’s a bit of firewood and pepper to be found with enough exploring, yet neither jumps right out.

The Rocky Patel Martinique opens with a surprising amount of pepper in the first few puffs and at first it’s hard to pin it down as a specific flavor or expression, but it doesn’t struggle to provide an initial impression as well as a lingering tingle. Part of the issue is that the pepper is so tightly intertwined with the surrounding flavors of salami and cedar that were present in the cold draw and now are alive with depth and complexity. Once lit, the Martinique shows much of the same profile that I was greeted with earlier, including some juicy cedar that really works and seems to be show some of the tobacco’s terroir with a slight hint of earthiness coming through. At the tail end of the first third, the cigar dabbles in hard candy sweetness for a bit, before suddenly shedding some of its thicker base notes while the pepper becomes bright and familiar to both the nose and palate. The cedar then dries out and becomes a bit more vibrant on the front half of the tongue. The draw, combustion, and smoke production have all been good, though the first sample struggled a bit with staying lit and the third’s burn line got just uneven enough to merit a quick touch-up.

A campfire smokiness from the aroma greets me as I begin the second third of the Rocky Patel Martinique, though it doesn’t show nearly the black pepper that a retrohale delivers. The cigar holds course with its flavors until the midpoint, when it performs another shift in flavor similar to the one at the end of the first third, drying out a bit and moving towards a profile that puts earth, pepper, and a wood flavor that reminds me of aging room shelves towards the front. it’s more upfront than its preceding profile, though at the expense of the richness and complexity it had offered, taking on a profile that dare I say is stereotypically Honduran, something that those who smoke a fair amount of tobacco from the country should recognize. In one sample I get a bit of sourness and harshness, albeit it both have a certain juiciness from the smoke that makes it a unique sensation, while in another sample the candy sweetness returns, close to a lemon Jolly Rancher but without the sourness. The pepper gets more aggressive in retrohales, and I find myself having to pause after the slightest exhale and then slow down to ease out the rest. The cigar still burns quite well and hasn’t required much in the way of attention.

Much like the end of the first third carried right over to the start of the second third, the same happens here, with the previously described dry profile not changing much, if at all. While I’m not as thrilled about this iteration as I am that of the first half, it’s still pretty good. The final puffs of the Rocky Patel Martinique return some of the harshness and sharp pepper was found earlier, with a flavor that at times tastes like red chili pepper flakes that have been set on fire and sprinkled with hot sauce. Thankfully most of the sensation is fleeting, though there is some lingering tingle that calls for water or club soda to help cleanse the tongue of it. It an unexpected turn with just over an inch left, the cigar gets quite hot, and said heat does the cigar in with seeming nothing left as far as palatable flavor left to offer as pepper gets too bright on my palate, leaving behind a sensation similar to eating a pepper or hot sauce that’s simply too spicy. A much slower rate of puffing can salvage things a bit, but with no noticeable change in flavors, I’m content calling this two-plus hour smoke a wrap.

 

Final Notes

  • I can’t say I have a feel for what consumer consensus is around Honduran tobacco, but I have become more of a fan of it, something that started with the Asylum 33.
  • Here’s my obligatory harping about the unimaginative size of this cigar.
  • I’d love to see this in a smaller vitola, as I found the flavor profile quite enjoyable, but would prefer to have something a bit quicker to smoke.
  • The Martinique does not appear on the company’s website, something I’m a bit surprised by.
  • However, given the number of brands that the company makes for catalogs and online retailers, I’d be interested to know the number of active lines that aren’t on the website.
  • There’s a pictorial tour of the El Paraiso factory on the website, though it barely scratches the surface of the 120,000-square-foot facility. I had the chance to visit the factory a while back and it is quite impressive.
  • I can’t say I’m crazy about the bands, but I do think the integration of the TAA logo was executed quite well. The overall consistency and look is quite good, even with differing fonts on the primary logo.
  • The 2018 TAA Convention will be held April 15-19 in St. Maarten.
  • The TAA is made up of about 80 retailers—though many with multiple retail locations—who represent some of the biggest and most influential stores in the industry. The group gathers annually to discuss and address issues facing the industry, as well as hold its own trade show that works on a group buying format in order to secure significant deals based on the volume of orders.
  • There are also about 40 manufacturers that are part of the TAA.
  • Also releasing exclusive cigars for the TAA this year are Alec Bradley, Ashton, AsylumCrowned Heads, La Flor DominicanaLa PalinaMy Father, Padrón and Tatuaje. XIKAR also offered members early access to new finishes of its XO cutter, as did Padrón with its 1964 Anniversary Series Tubos.
  • For those not familiar with the island of Martinique, it’s located in the eastern Caribbean and is home to about 387,000 residents. It is considered to be an overseas region of France.
  • The cigars for this review were purchased by halfwheel.
  • Final smoking time was two hours and 15 minutes on average.
  • Site sponsors Elite Cigar Cafe (972.661.9136) and STOGIES World Class Cigars carries the Rocky Patel Martinique TAA 50th Anniversary.
86 Overall Score

Despite being fairly commonly used, Honduran tobacco doesn't seem to carry the same level of buzz or appreciation that is often found for tobacco from other countries such as Nicaragua, which is quite a shame because when it's good—as it the case in the Rocky Patel Martinique TAA 50th Anniversary—is quite enjoyable. The tobacco used in this cigar shows impressive levels of depth and complexity, while also being blended to offer some notable progressions and transitions that keep the cigar far from monotone. While it's not a perfect cigar thanks to consistent overheating in the final third and a few spots where it gets rather dry, it is quite enjoyable from start to finish. For as much as I dislike the size and would love to see something a bit smaller, I wouldn't hesitate to pick up a few more.

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Patrick Lagreid

I strive to capture the essence of a cigar and the people behind them in my work – every cigar you light up is the culmination of the work of countless people and often represents generations of struggle and stories. For me, it’s about so much more than the cigar – it’s about the story behind it, the experience of enjoying the work of artisans and the way that a good cigar can bring people together. In addition to my work with halfwheel, I’m the public address announcer for the Colorado Rockies and Arizona Diamondbacks during spring training, as well as for the Salt River Rafters of the Arizona Fall League, the WNBA's Phoenix Mercury and previously the Arizona Rattlers of the Indoor Football League. I also work in a number of roles for Major League Baseball, plus I'm a voice over artist. Prior to joining halfwheel, I covered the Phoenix and national cigar scene for Examiner.com, and was an editor for Cigar Snob magazine.